By Ibrahim Kegbegbe
The 11th Africa Magic Viewers’ Choice Awards (AMVCA), held on May 10, 2025, in Lagos, was another resounding celebration of African cinematic excellence. Yet amidst the glitz and glamour, one film stood tall and emotionally commanding: Seven Doors — a historically rich, culturally immersive series directed by Femi Adebayo, Tope Adebayo, and Adebayo Tijani.
Though the film clinched three notable wins — Best Lead Actor (Femi Adebayo), Best Lead Actress (Chioma Chukwuka, collected by Femi Adebayo), and Best Score/Music (Tolu Obanro) — many in the audience, including critics like myself, believe Seven Doors was artistically robbed of other categories it rightfully earned.
As a seasoned entertainment reporter and critic, I must state — without sentiment — that Seven Doors remains the most intellectually grounded and emotionally gripping film of the year. It told the story of King Adedunjoye, a monarch caught in the web of tradition, love, and a generational curse that could only be broken by marrying six more wives — opening “seven doors” in the process. The film resonates deeply with themes of sacrifice, loyalty, and internal conflict, masterfully interpreted by Femi Adebayo and Chioma Chukwuka, whose performances showed a level of versatility that defines the gold standard of African acting today.
Femi Adebayo’s interpretation of a king torn between duty and desire was beyond impressive — it was transformational. His delivery, composure, and emotional range elevated the character into an epic persona. The moment he burst into tears on stage upon receiving the Best Lead Actor award was not just dramatic; it was a cathartic release — a reminder that genuine talent is often overlooked in favor of politics, familiarity, or misguided attempts at “balancing the table.”
And therein lies the heart of the matter.
It is no secret in the industry that certain stakeholders have harbored the perception that Femi Adebayo is too often favored by award panels. This baseless assumption may have led to what some would call “strategic redistribution” of awards during this year’s AMVCA. In what felt like an intentional balancing act, several awards — including Best Director, Best Costume Design, and perhaps even Best Indigenous Language (West Africa) — were given to other nominees whose works, while commendable, did not reach the monumental narrative depth and technical execution Seven Doors delivered.
Yet, the irony is palpable — those who allege favoritism against Femi Adebayo fail to realize that it is not proximity or prestige that wins hearts and awards — it is consistent excellence. From King of Thieves (Agesinkole) to Jagun Jagun, Femi’s portfolio speaks volumes. His work ethic and artistic integrity are what place him ahead — not backstage connections or event politics.
Chioma Chukwuka, on her part, deservedly earned the Best Lead Actress award. Her portrayal of Queen Amaka was laced with quiet strength and emotional vulnerability — a combination rarely executed with such finesse in contemporary Nollywood. Though absent at the awards, her win sent a strong message: when talent is undeniable, even absence cannot mute its impact.
Another unforgettable moment was when Odunlade Adekola — Adebayo’s friend and fellow thespian — stepped onto the stage to embrace him during his emotional acceptance. That public show of brotherhood spoke to the integrity of the industry’s true artists, even as others in the hall sat unmoved, perhaps burdened by the weight of undeserved wins.
One must, however, commend the AMVCA organizers for continuing to provide a platform that amplifies African storytelling. Their attempt to balance recognition among nominees is understandable, but it must never be done at the expense of merit. The industry’s credibility lies not in political appeasement, but in honest celebration of art that transcends borders.
Seven Doors is not just a film — it is a legacy project. It will live beyond awards, travel across screens globally, and tell African stories the way they deserve to be told — with dignity, power, and truth.
To the global audience watching from afar: this is the face of African cinema. And Femi Adebayo, alongside Chioma Chukwuka, remains its finest ambassador.
Ibrahim Taofeek Kegbegbe, Head of Media and Publicity Secretary Bullion Records, and Editor-in-Chief, The Merit Newspaper
