The release of Nollywood movies is often accompanied by an electric buzz of excitement, particularly among movie lovers who enjoy critiquing the artistry, storytelling, and performances. However, the recent discourse surrounding Femi Adebayo Salami’s Seven Doors raises questions about the fairness of media and audience attention within the industry.
While Seven Doors has been lauded by critics and audiences alike, earning a remarkable 10/10 rating in many reviews, one cannot help but notice that other notable movies, such as Funke Akindele’s Everybody Loves Jennifer, Toyin Abraham Ajeyemi’s Alakada Bougie, and Mercy Aigbe’s Thin Line, have not received comparable attention or critique.
This disparity is puzzling. Could it be because Seven Doors is streaming on Netflix, offering viewers the convenience of watching it from home, work, or even leisure spaces? Or is it simply a superior movie that outshines its competitors? Whatever the case, it’s crucial to acknowledge that the other films, which are currently showing in cinemas across Nigeria, deserve their moment in the spotlight as well.
The Power of Streaming Platforms
Streaming platforms like Netflix have revolutionized the way movies are consumed. They offer unparalleled convenience, making films accessible to a global audience with just a few clicks. In the case of Seven Doors, its availability on Netflix has undoubtedly contributed to its widespread appeal, as viewers can enjoy it without the constraints of time or location. This is a stark contrast to cinema-released movies, which require a deliberate effort to visit a theater.
However, the convenience of streaming should not overshadow the artistry of films shown in cinemas. Movies like Everybody Loves Jennifer, Alakada Bougie, and Thin Line are the products of hard work and creativity. They deserve as much critical attention and public discussion as Seven Doors.
A Call for Balanced Criticism
Movie criticism plays a vital role in shaping the growth and development of any film industry. It highlights strengths, exposes weaknesses, and serves as a guide for filmmakers to improve their craft. Yet, in this instance, it appears that Seven Doors is monopolizing the conversation, while other films are being left out.
This imbalance does a disservice to Nollywood as a whole. Funke Akindele, Toyin Abraham Ajeyemi, and Mercy Aigbe are accomplished actors and filmmakers whose contributions to the industry cannot be overlooked. Their films should be subjected to the same level of analysis and critique as Seven Doors.
The Role of Audiences
As Nigerians, we pride ourselves on our love for cinema. The experience of watching a movie on the big screen, surrounded by an engaged audience, is unparalleled. However, this love for cinema must be accompanied by a willingness to engage with and critique the films we watch.
By supporting and discussing movies like Everybody Loves Jennifer, Alakada Bougie, and Thin Line, audiences can foster a culture of balanced criticism. This, in turn, will motivate filmmakers to refine their craft and produce even better movies.
The success of Seven Doors is well-deserved, but it should not come at the expense of other films. As a vibrant and growing industry, Nollywood thrives on diversity and competition. Let us celebrate all our filmmakers and their works, both on streaming platforms and in cinemas.
Ultimately, the goal should be to create a level playing field where every movie receives the attention and critique it deserves. Only then can we truly appreciate the depth and richness of Nollywood’s offerings.
